Vajrabhairava - Solitary (Ekavira)
(item no. 196)

Central Tibet

1700 - 1799

Gelug Lineage

71.12x105.41cm (28x41.50in)

Ground Mineral Pigment on Silk

Collection of Rubin Museum of Art

(acc.# P1995.21.6)

 


Vajrabhairava (Tibetan: dor je jig je. English: the Vajra Terror): with lamas above and enlightened protectors below.

Jeff Watt 11-2000


Sadhana Description:
Sri Vajra-mahabhairava (dpal rDo-rje jigs-byed chen-po), dark blue, with nine faces, thirty-four arms and sixteen legs, abiding in pratyalidha posture (right legs bent). Capable of devouring the three worlds, he is shouting Haha and has rolled-up tongue, bared fangs and a frown. Beside the frown, his eyebrows and eyes blaze like the fire at the time of destruction. His pale yellow hair streams upwards. Threatening the worldly and supermundane gods, he terrifies even the terrible, roaring like thunder the great sound of PHEM and eating human blood, grease, marrow and fat. He is crowned with five frightful dry skulls and adorned with a skull garland of fifty fresh heads, a black snake as scared thread, a circlet of human bone, and earrings and the other ornaments of bone. He is naked of body, with huge belly. His sex stands erect. His eyebrows, eyelashes, beard and body hairs blaze like the fire at the end of time.

His principle face is a buffalo's, black, extremely wrathful and with sharp horns. Above this, midway between the two horns, is a red face, most frightful, with blood dripping from its mouth. Above this is the yellow face of Manjushri, just a little wrathful, adorned with the ornaments of a young man, with five locks on the crown of his head. The main face under the right horn is blue, that to its right red, and that to its left yellow. The main face under the left horn is white, that to its right smoke-colored, and that to its left black. These faces are extremely wrathful. All nine faces are three-eyed.

The first pair of arms hold a fresh elephant-skin, stretched out with its head on the right and hands and feet on the left, showing the hairs outside. The remaining right hands hold 1. a knife, 2. a dart (bhindipala), 3. a wooden pestle, 4. a knife with a wavy blade, 5. a harpoon, 6. An axe, 7. a spear, 8. an arrow, 9. a hook. 10. a club, 11.a khatvanga, 12. a wheel, 13. a five-pointed vajra, 14. a vajra hammer, 15. a sword and 16.a damaru. The left hold 1. a blood-filled skull, 2. a Brahma?s head, 3. a shield, 4. a foot, 5. a noose, 6. a bow, 7. entrails, 9. a hand, 10. a shroud, 11. a man impaled on a stake, 12. a brazier, 13. a piece of a skull, 14. a threatening, forefinger, 15. a triple banderole and 16. a fan (rlun ? ras, also ?prayer-flg?).

His feet tread on 1. a human being, 2. a buffalo, 3. an ox, 4. an ass, 5. a camel, 6. a dog, 7. a sheep and 8. a fox (or jackal) his left feet on 1. a vulture, 2. an owl, 3. a ravan, 4. a parrot, 5. a hawk, 6. a garuda, 7. a domestic fowl and 8. a swan. He also tramples beneath his feet Brahma, Indra, Visnu, Rudra, Six-faced Kumara (= Karttikeya), Vinyaka (Ganesa), Candra and Surya, lying face down. In this manner he abides amid an intensely blazing mass of fire.

From Deities of Tibetan Buddhism, Wisdom Publications, 2000. Translated by Martin Willson from the sadhana text of Phabongkha Dechen Nyingpo (1878-1941): biographical reference.


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Publication
Publication: Visual Dharma: the Buddhist Art of Tibet

Thematic Set
1700 - 1799 (18th Century) Part I
Painting Style: Central Tibetan
Subject: Decree, Gold Silk
Tradition: Gelug Deity Paintings
Collection of Rubin Museum of Art: Painting Gallery VI
Painting Type: Gold Ground
Buddhist Deity: Vajrabhairava



Copyright © 2008 Shelley and Donald Rubin Foundation.
Photographed Image Copyright © 2004 Rubin Museum of Art